News or A Series of Tweets?

What is HuffPost, exactly? What purpose does it fulfill? Is this news? A story carried along through the reflections and notoriety of a cross-selection of angry tweets? A series of pasted tweets inside a “news” story is a bat signal to stop reading. Nothing will be accomplished in this futile partisan exercise other that achieving another 15 minutes of fame for a few random folks in the Twitterverse. I’m trending! My tweet was used in HuffPost piece on some controversy du jour!

Ah! A controversy! X said this, but Y said, no way X, how dare you, but Z said give X a break, Y, stop judging and hating! Is there a value to this exercise? I suppose if there was real substance behind the remarks, but no, the story is no more than the clash of different subjective tastes (with the added hidden assumption that some tastes are so despicable and beyond the pale they should be denounced as such).

Now to specifics, which I am loathe to engage. Is Prince Charming really a stalker? Only in the most superficial of ways, that is, detached from the specific historicity in which the fairy tale draws its inspiration. We can always fault an artist for the choices made, the character arcs they are made to follow, but never for the sins of omission that are due to the accidents of history (Medieval mores, Patriarchy, pre-capitalist economic systems, etc.). How much of an update is needed before we consign these fossils to the trash heap of history and begin the harder work of creating new myths rather than the necromancy of resurrecting the dead?

Ah! We moderns have a lot of choices at our disposable. Why not have Snow White ask her lawyers to draw up a cease and desist letter to the Evil Queen (apparently no updates for the lousy treatment stepmothers get in fairy tales). A superficial resemblance to modern sensibilities can be an interesting line of artistic exploration. But it’s a mistake to fold one phenomenon into another on that superficial basis alone.

We live on the surface. The superficial is raised to the level of the profound. We don’t even attempt to find a deeper meaning, a real profundity in the superficial because to do so would require real thought, attention to detail, and real expenditure of energy. This is not news. It’s catharsis. Something to do because we believe we have everything at our disposal and nothing else to do. We are bored and petulant dilettantes.

The rehash business is getting old. We don’t need an update, we need new myths for new times, new fairy tales. But that’s harder, and no guarantee of future success, so we walk among the decrepit tombs for inspiration. Thought doesn’t exist in a timeless vacuum to be hoovered up at will. Thoughts are ephemeral placeholders along a larger journey. We find edification and error. You can make anyone’s words and actions seem terrible in hindsight, because life is often terrible in hindsight, but not the substance, the substrate, the medium, the human. Here is where the living breathing joy is at work and at play. Come and see. The work itself will explain all there is to know.

Sapiens

This is not a book of scholarship. It is a master class in the art of trolling*. Rousseau Part Deux. Take up a sharp critical line, divide the world into separate camps (filled only with ideologues, really), and meet all objections on the safety of your own turf. But beware. You are a partisan. If you fight the conclusions, you are being a partisan. If you agree, you are being a partisan. If you try and remain neutral or sanguine you are being partisan. All the world is partisan, so devilishly clever goes the myth-making. It’s almost Biblical in its retelling of the origins of our modern existential crisis.

The common enemy is the optimist’s faith in the project of the Enlightenment. Ever steady progress in civilization and the power of reason. Ever rising boats. There’s just no here, here. No science, no edification, only the romanticism of the lost State of Nature (safe in our middling Pre Cog Revolutionary days).

You can’t engage the troll. It’s not even wrong. It’s not even asking the wrong questions, because the questions it raises aren’t even questions. (It’s a pointless counting exercise, but I wouldn’t be surprised if 1/10th of the book is nothing but a series of questions, and proof that one was invited to a dinner and the host forgot to set the table.) I am a philosopher, by practice and disposition, and am immediately drawn to a book’s metaphysics. The assumptions are where the whole edifice falls apart. Introduce the slightest nuance (Is not mind also matter? Aren’t you perhaps conflating myth-making, mass delusion, and fictionalization?) and the subterfuge collapses under its own weight. Still, a lot of fun, though not deserving of the fawning praise as a grand revelation, a singular, mind-altering experience. It’s popularity says something more about us, our insipid times. We know too much, have too much to say. So we find different ways of saying the same thing in incongruous ways. It’s not a flattering portrait. It hits the mark whenever its aim is off.

To give one example: “The most important impact of script on human history is precisely this: it has gradually changed the way humans think and view the world.”

Shot: Writing has fundamentally changed the way we think and view the world. Undoubtedly true. How can we argue!?

“Free association and holistic thought have given way to compartmentalisation and bureaucracy.”

Chaser: Writing has imprisoned our minds in the iron cage of instrumentalism. Ah, a delicious mouthful worthy of Weber! There’s a whole lot of heavy lifting going on in that last sentence, a tidy clean up at the conclusion to a thought. Clean up! Aisle 11!

The clean-up is not always so subtle (and jarring). Take this example. “Myths and fictions accustomed people, nearly from the moment of birth, to think in certain ways, to behave in accordance with certain standards, to want certain things, and to observe certain rules. They thereby created artificial instincts that enabled millions of strangers to cooperate effectively. This network of artificial instincts is called ‘culture’.”

Instrumentalism (the application of reason to practical ends) is here conflated with myth, which is conflated with fiction, which is conflated with an artificial instinct – all products of human nature, but somehow standing over and above and opposed to nature.

It’s rather strange to rest an entire work on the tendentious claim that human language and the mental worlds we inhabit are mere contrivance, artificial and unnatural, while at the same time reducing all complex behaviors to the very coarse biological imperatives they supposedly do not respect. Of course, one cannot tell precisely where the Scylla of objective biological laws meet the Charybdis of human imagination.

I can imagine a rock talking to me. I can also imagine the same rock comprised of a staggering amount of elementary particles known as electrons and quarks. None of these acts of imagination can remotely be described as delusion. Delusion enters the cognitive picture at the moment when a false belief intercedes, encroaches, interferes with the ability of the mind to make general, relatable, reliable, mappable composition. Delusion happens when a complex information system breaks down. The feedback between memory storage and retrieval has been disrupted in some acute physiological way. If someone points out that the rock doesn’t actually have a brain, a mouth, and lungs, I can truthfully say that has no bearing on my ability to imagine a rock possessing those qualities. I have an artistic bent, that’s all. Hence, no delusion. If it turns out that the rock is actually comprised of super symmetric strings, my schematic model is simply updated. Again, no delusion because everything is working in an organized manner, imagination, judgement, belief, calculation, measurement, distillation, error, refinement, adjustment.

A belief in God represents no delusion because it is a simple statement of subjective experience. I live and experience a world filled with promise, higher meaning, and purpose. Perhaps the same person will encounter enough objective data about the world that leads them to question this belief and perhaps reject the former faith and no longer believe in God. Again, this is no delusion (or a liberation from a former delusion). Clinically, we are better off putting mental illness in the same class as other illnesses in which normal biological operations (wellness) is severely restricted, hampered, and rendered inoperable.

If we could navigate that treacherous path, carefully choosing our words rather than making broad brushstrokes, the journey would no longer take us along these incongruous vistas but to well-worn ground and perhaps less surprising sights. And science must not get in the way of a good story!

*Trolling is the art of deliberate provocation in order to evoke an emotional response or argument.

Validation

I don’t feel validated. My words fall on empty, blank faces. If I push just a little, indicate with a sense of urgency the importance of my words, my feelings, they say “stop pushing.” It’s an unserious life, an unserious world. Yet everywhere, everything is deadly serious. I am glum. I don’t know how to break through. What do I want? Absolute acceptance, without judgment. The same face I give to the world. It is hard to generate the energy to overcome the fatigue. This fiercely personalized, deeply offended world is repulsive and offensive to look upon. I want a mirror, a face to recognize, and all I see is the vampire’s curse.

Vegans

Not the people who don’t eat meat or animal products, but the aliens clustered around the star Vega in the Lyra constellation. The signal was weird. Not a prime number series, but what I can only imagine was a Vegan joke. The signal went:

What happens when 100 Cepheids screw in a standard candle lightbulb?

Hubble sperm.

Doors of Perception

“If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern. “

William Blake, The Marriage of Heaven and Hell

Vision is a good physical tool for spatial awareness and orientation. Hearing is much more suitable for encoding information about time. If we want to understand the infinity all around us, all within us, turn to music.

Maxwell

“The vast interplanetary and interstellar regions will no longer be regarded as waste places in the universe, which the Creator has not seen fit to fill with the symbols of the manifold order of His kingdom. We shall find them to be already full of this wonderful medium; so full, that no human power can remove it from the smallest portion of space, or produce the slightest flaw in its infinite continuity.”

Changes

“The objective world simply is, it does not happen. Only to the gaze of my consciousness, crawling along the lifeline of my body, does a section of this world come to life as a fleeting image in space which continuously changes in time.” Hermann Weyl.

The Purpose of My Art

My art is predicated upon four foundational principles:

1. Relativity – A projective geometry. Perspectives change, but we each experience the same (valid) edifice or structure.

2. Symmetry – A projective description. The totality of perspectives unite into the same edifice.

3. Invariance – The intermediate unchanging connections or conditions that allow relativity and symmetry to unfold. A kind of pre-geometry, table, stage, field, or lattice upon which calculations can be performed.

4. Complementarity – Mutually exclusive within our local domain. You cannot paint the Sistine Chapel on top of the Mona Lisa. So choose wisely.